ACLU, UM Law Clinic, Sue Miami-Dade County Over Immigration Policy on Behalf of Unconstitutionally-Detained U.S. Citizen

ACLU, UM Law Clinic, Sue Miami-Dade County Over Immigration Policy on Behalf of Unconstitutionally-Detained U.S. Citizen

July 5, 2017

MIAMI, FL – The American Civil Liberties Union (ACLU) of Florida, with the University of Miami School of Law’s Immigration Clinic and the law firm of Kurzban, Kurzban, Weinger, Tetzeli & Pratt, P.A., have filed a federal lawsuit against Miami-Dade County over its policy of detaining people without a warrant for immigration authorities.

The lawsuit was filed on behalf of an 18-year-old U.S. citizen who was detained under the policy despite being a citizen, and challenges Miami-Dade County’s policy of detaining people beyond the end of their criminal custody solely for a suspected civil immigration violation.

“We warned the county about the dangers posed by the premature decision to cave in to the Trump administration’s anti-immigrant threats,” stated ACLU of Florida immigrants’ rights attorney Amien Kacou. “Miami-Dade County has long prided itself on being a place welcoming to immigrants, and should honor that legacy by joining other cities large and small across the country in refusing to serve as tools of overzealous immigration enforcement policy.”

Adopted by Miami-Dade Mayor Carlos Gimenez on January 26, 2017, the immigration detainer policy violates the U.S. Constitution, including the prohibition against unlawful seizures under the Fourth Amendment and the guarantee of due process under the Fourteenth Amendment, according to the filing. Florida law also prohibits jail officials from detaining people for civil immigration purposes.

Miami-Dade County has been detaining people in jail for federal immigration enforcement officials ever since President Trump threatened in January to cut off funding for cities deemed “sanctuary cities.” After the County Commissioners voted in February to collaborate with immigration authorities, however, the Trump Administration clarified that only cities that violate federal law would be at risk of losing federal money. Although the County no longer faces loss of federal funding, the Commission has not adopted a new policy on immigration detainers.

The plaintiff in the lawsuit, 18-year-old Garland Creedle, has been a U.S. citizen since birth. Despite this, Creedle was held overnight to begin immigration proceedings against him under the county’s detention policy, following a March 2017 arrest over an alleged domestic dispute for which no charges were filed. Although Creedle was entitled to be released immediately upon posting bond, Miami-Dade officials held him in jail based on the assertion that he is a “removable alien.”

The lawsuit, which names Mayor Gimenez and the county itself as defendants, seeks an order declaring the mayor’s directive on immigration detainers invalid and Mr. Creedle’s detention unconstitutional. It also seeks compensatory damages.

A copy of the complaint is available here: http://aclufl.org/resources/creedle-v-gimenez-complaint/

The United States’ KKK and Argentina’s Rebel Patagonia

The United States’ insistence on a racial caste system is similar to Argentina’s insistence on a ethnic-racist-classist-nationalistic caste system. Both actively marginalized and abused of who they deemed the “undesirables” of society. However, there needed to be a basis on which to oppress these folks. For the United States, particularly after Bacon’s Rebellion, in which poor blacks and poor whites united against the elite, it became a matter of socially-constructed race. For Argentina, several factors were involved– your nationality, race, and class. Both countries continued their oppression through the stronghold of violence. The Ku Klux Klan incorporated all social classes in their effort to subjugate black people in America; this furthered the idea that “you may be poor, but at least you’re not black.” In Argentina, the strike was fueled based on different pay systems across the poor that took into account nationality, ethnicity, and race. Both countries were trying to whiten their respective societies through the use of disenfranchisement, and when they tried to resist (as in the workers’ strikes and eras of slavery and lynchings), their lives proved even less than objectifiable laborers for profit, and were killed.

Immigration courts, lacking judges, are sinking under a massive backlog of cases

New ‘Hamilton Mixtape’ Music Video Takes Aim at Immigration

New ‘Hamilton Mixtape’ Music Video Takes Aim at Immigration

American flags. References to border security. Immigration and Customs Enforcement agents dragging away immigrants in the thick of night.

A music video released on Wednesday for “Immigrants (We Get The Job Done),” a song off “Hamilton Mixtape,” is replete with stark political imagery and not-so subtle messaging targeting President Trump’s rhetoric on immigration.

“Hamilton Mixtape” is an album of covers sung by mainstream artists including Alicia Keys and Usher, inspired by the Broadway musical-turned-cultural phenomenon “Hamilton” and released shortly after the presidential election in 2016. The song “Immigrants,” performed by K’naan, Snow Tha Product, Riz MC (known to film audiences as Riz Ahmed) and Residente, is the first from the album to spur a music video.

The video starts with a number of somber train passengers, seemingly immigrants, listening to the radio.

“It gets into this whole issue of border security,” a commentator says. “Who is going to say that the borders are secure?”

“It’s really astonishing that in a country founded by immigrants, ‘immigrant’ has somehow become a bad word,” the commentator adds, setting the tone for the video. It was directed by Tomas Whitmore and executive produced by Robert Rodriguez and Lin-Manuel Miranda, the creator of “Hamilton.”

The video, which lasts more than six minutes, morphs to immigrants stitching American flags under the main refrain of the song and Snow Tha Product rapping in front of an American flag. There are shots of workers picking fruit in fields, Riz MC rapping his verse on a barely-lit New York City subway car and, eventually, immigrants being dragged away in the dead of night by border patrol agents.

“Hamilton” is no stranger to politics. President Obama was an avowed fan of the show and invited the cast to perform at the White House after seeing the musical multiple times, one of them at a fund-raiser for the Democratic National Committee. After the election, “Hamilton” found itself the target of Mr. Trump’s ire. In late November, Mike Pence, then the Vice President-elect, attended a performance and found himself being directly addressed by the cast during a curtain call after drawing jeers from the crowd.

Standing on the stage, Brandon Victor Dixon, who played Aaron Burr, said to a departing Mr. Pence, “We truly hope this show has inspired you to uphold our American values and to work on behalf of all of us. All of us.”

Mr. Trump demanded an apology, saying the cast had been ““very rude” toward Mr. Pence and that the theater “must always be a safe and special place.”